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Tuesday, 21 February 2012

300-Million-Year-Old Forest Discovered in China

300-Million-Year-Old Forest Discovered Preserved in Volanic Ash

ScienceDaily (Feb. 20, 2012) — Pompeii-like, a 300-million-year-old tropical forest was preserved in ash when a volcano erupted in what is today northern China. A new study by University of Pennsylvania paleobotanist Hermann Pfefferkorn and colleagues presents a reconstruction of this fossilized forest, lending insight into the ecology and climate of its time.

A reconstruction of the 300-million-year-old peat-forming forest at a site near Wuda, China. (Credit: Image courtesy of University of Pennsylvania)

Pfefferkorn, a professor in Penn's Department of Earth and Environmental Science, collaborated on the work with three Chinese colleagues: Jun Wang of the Chinese Academy of Sciences, Yi Zhang of Shenyang Normal University and Zhuo Feng of Yunnan University.

Their paper was published this week in the Early Edition of the Proceedings of the National Academy of Sciences.

The study site, located near Wuda, China, is unique as it gives a snapshot of a moment in time. Because volcanic ash covered a large expanse of forest in the course of only a few days, the plants were preserved as they fell, in many cases in the exact locations where they grew.

"It's marvelously preserved," Pfefferkorn said. "We can stand there and find a branch with the leaves attached, and then we find the next branch and the next branch and the next branch. And then we find the stump from the same tree. That's really exciting."

The researchers also found some smaller trees with leaves, branches, trunk and cones intact, preserved in their entirety.



Due to nearby coal-mining activities unearthing large tracts of rock, the size of the researchers' study plots is also unusual. They were able to examine a total of 1,000 m2 of the ash layer in three different sites located near one another, an area considered large enough to meaningfully characterize the local paleoecology.

The fact that the coal beds exist is a legacy of the ancient forests, which were peat-depositing tropical forests. The peat beds, pressurized over time, transformed into the coal deposits.

The scientists were able to date the ash layer to approximately 298 million years ago. That falls at the beginning of a geologic period called the Permian, during which Earth's continental plates were still moving toward each other to form the supercontinent Pangea. North America and Europe were fused together, and China existed as two smaller continents. All overlapped the equator and thus had tropical climates.

At that time, Earth's climate was comparable to what it is today, making it of interest to researchers like Pfefferkorn who look at ancient climate patterns to help understand contemporary climate variations.

In each of the three study sites, Pfefferkorn and collaborators counted and mapped the fossilized plants they encountered.In all, they identified six groups of trees. Tree ferns formed a lower canopy while much taller trees -- Sigillaria and Cordaites -- soared to 80 feet above the ground. The researchers also found nearly complete specimens of a group of trees called Noeggerathiales. These extinct spore-bearing trees, relatives of ferns, had been identified from sites in North America and Europe but appeared to be much more common in these Asian sites.

They also observed that the three sites were somewhat different from one another in plant composition. In one site, for example, Noeggerathiales were fairly uncommon, while they made up the dominant plant type in another site. The researchers worked with painter Ren Yugao to depict accurate reconstructions of all three sites.

"This is now the baseline," Pfefferkorn said. "Any other finds, which are normally much less complete, have to be evaluated based on what we determined here."

The findings are indeed "firsts" on many counts.

"This is the first such forest reconstruction in Asia for any time interval, it's the first of a peat forest for this time interval and it's the first with Noeggerathiales as a dominant group," Pfefferkorn said.

Because the site captures just one moment in Earth's history, Pfefferkorn noted that it alone cannot explain how climate changes affected life on Earth. But it helps provide valuable context.

"It's like Pompeii: Pompeii gives us deep insight into Roman culture, but it doesn't say anything about Roman history in and of itself," Pfefferkorn said. "But on the other hand, it elucidates the time before and the time after. This finding is similar. It's a time capsule and therefore it allows us now to interpret what happened before or after much better."

The study was supported by the Chinese Academy of Science, the National Basic Research Program of China, the National Natural Science Foundation of China and the University of Pennsylvania.

Monday, 20 February 2012

A show of peace and harmony

CERITALAH By KARIM RASLAN

In London, the British Museum puts on an exhibition on the haj and all aspects of the pilgrimage through the ages. Nearby, artifacts of Buddhist and Hindu kingdoms are on show. It is a place that unites people of diverse faiths and backgrounds.
English: A picture of people performing (circu...
Image via Wikipedia

MECCA is a city of surprises. The landscape may be bleak, but everything changes once you’re within the city as the extraordinarily rich texture of the Muslim world unfolds around you, from the sleek magnificence of the Masjid al-Haram to the liveliness of the street markets and souks.

Ten years ago, when I first visited the Holy Land for an umrah swiftly followed by the full haj a few months later, I remember being enthralled by the amazing diversity of my fellow pilgrims: their weather-worn faces were redolent of history, romance and drama.

There were dignified-looking Persian clerics in their long flowing black gowns, ebullient West African traders who were tall, big-boned and wearing white robes, deeply tanned Tajiks and tens of thousands of Bangladeshi villagers.

Regal Sudanese rubbed shoulders with Baluch and Pathan tribesmen, haughty-looking Cairo housewives, Levantine shopkeepers, Javanese and the occasional European or American.

Watch Obama's Video:
http://www.youtube.com/watch_popup?v=tCAffMSWSzY#t=28<http://www.youtube.com/watch_popup?v=tCAffMSWSzY#t=28>
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There was a moment when I felt as if the entire world was alongside me as I circumambulated the Kaaba.

Even back then, the city was undergoing tremendous change as increased prosperity in the Muslim world fuelled the number of pilgrims.



Roads and tunnels were being blasted into existence; buildings were being torn down or hastily constructed — a mishmash of styles that left me wondering what the originals looked like.

All of this came back to me as I walked around the British Museum’s very elegant exhibition titled Hajj: journey to the Heart of Islam (open until mid-April).

For anyone interested in understanding the haj, the exquisitely-curated show (in partnership with Saudi Arabia’s King Abdulaziz Public Library and sponsored by HSBC Amanah) is a superb eye-opener.

The haj is one of the Five Pillars of Islam, something every Muslim must do at least once in his or her lifetime if possible.

For many Muslims, it is one of the most important events in their lives, a journey to save and sacrifice for.

Last November, it’s estimated that more than three million Muslims converged on Mecca for the five-day ritual, one of the largest annual human assemblies in the world.

The British Museum’s exhibition is thorough and thought-provoking. Located inside the museum’s iconic Atrium, the exhibition focuses on all aspects of the pilgrimage through the ages.

The displays ranged from the haj’s origins and rituals, down to the long (and often perilous) journeys that the pilgrims were forced to take.

Indeed, much of the exhibition is devoted to the great distances and dangers that the pilgrims were forced to brave – crossing the Sahara and Gobi deserts or traversing the Indian Ocean.

Despite the diversity, there remains an underlying unity, an inexplicable oneness of sorts.

Of course, the ihram (white pilgrims’ robes) and the starkness of the landscape reinforce a sense of purity and simplicity of purpose.

But then again, maybe it’s also present in the determination and resolute faith of those undertaking the haj – a fixity of purpose that unites pilgrims whether they’re from Mali, Azerbaijan or China, not to mention the rich and the poor.

Having had my fill of the exhibition, I wandered out of the Atrium and onto the Asia exhibits in the gorgeously laid-out Hotung Gallery.

Artefacts imbued with faith were also on display here: Thai and Khmer sculptures of the Buddha stood next to bronze statues from Hindu temples in southern India.

And yet for some reason, I, as a Muslim from South-East Asia also felt very much at ease as I strolled past these historic items.

Could it have been because they were also part of my heritage and my past?

I also found it profound that the haj and Islam – a faith of complete submission to Allah – should be so celebrated in a museum, the product of the humanistic enlightenment with its opposing and single-minded focus on mankind.

Another thought struck me: the majority of the visitors to the exhibition were clearly non-Muslims, people of many different faiths who were eager and sufficiently open to want to learn more about Islam.

It occurred to me that I would have to wait a very long time to see a similar exhibition on, say, Easter or Hindu rituals at a major museum in a majority-Muslim city such as Cairo, Karachi or even Kuala Lumpur and this thought saddened me.

So, in a corner of London not far from the traffic of Oxford Street and the echoing courtyards of the Inns of Court, I came across an exhibition that united peoples of diverse faiths and backgrounds – uniting them all momentarily in a quest for knowledge, as a museum became a haven of harmony and peace.

Why Is Creativity More Important Than Capitalism?

Creativity
Creativity (Photo credit: Mediocre2010)
Haydn Shaughnessy, ForbesContributor

Do you know your creativity quotient?  Creativity sounds a little weak, a touchy-feely topic, but it turns to be one of the most important memes of the past 100 years, and very definitely ranks alongside concepts (or ideologies) like capitalism in the pantheon of big ideas.

I admit to being a creativity sceptic. When it came into vogue thirty years ago I cringed. Creative? What’s wrong with busy? Or dedicated. Or hard working. But creativity’s rise – measured by the use of terms “creative” and “creativity” in Google‘s nGram database – has been relentless for over a century. It is NO fad.

For those that don’t know it the nGram database contains roughly 4% of all books ever published, in the case of this data in the USA and Britain.

The problem of creativity – how to manifest it in disciplined environments – hasn’t changed much during that period.



But if you look at the chart below you can get a sense of its importance.  The use of “creative” dwarfs terms like technological progress and scientific progress.

In fact digging a little deeper I found out:

The use of the language of creativity is increasing when people write about scientific progress. Progress itself is a term in declining use, seemingly replaced by the idea of creativity, at least in the sciences. You can’s see that from the chart – to get to that data I examined the use of a variety of terms over the period 1960 – 2010.
The best Google nGram data goes up to 2000 but I checked search interest in these terms, post 2000, and the patterns continue.

The use of creativity is increasing in business and management literature, declining where people write about religion and education, and of course rising when people write about cities.

Jonah Leher’s book Imagine underlines the slacker nature of creativity but also it’s importance. Let’s face it the quest to be more creative as a society is as old as (modern) business.

Creativity is big in entertainment too, naturally, if entertainment is taken to include art and music but surprise, surprise the use of the term in entertainment declined in the period 1981 – 2000, while it increased in association with business and management.

Is all this just a reflection of publishers pumping more books out? No, all data is normalised.

Is there anything to conclude from the data?  The themes of creativity have been pretty consistent down the years – how organizations stifle it, how necessary it is, and how it creates risk.

The one lacking ingredient seems to be a creative answer to those problems, though I think we may be on the cusp of one (more of that later in the week).